Also known as perspective view prints, vues d'optique were popular in the 18th and early 19th centuries. Typical designs include landscapes, seascapes, and cityscapes, though other architectural subjects and representations of various Biblical scenes and other allegorical scenes are also common.

The pictorial space of these often hand-colored prints incorporates linear perspective to striking effect. When viewed through an optical device such as a zograscope (usually a wooden tabletop viewer with biconvex lens and hinged mirror), the illusion of depth and three-dimensionality is further enhanced while any mirrored text appears right-reading.

(by Julie Mellby unless otherwise noted)