- Sagamigawa monogatari (Tale of the Sagami River)
さがみ川物語
さがみ川物語
- Artist:
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- Asakura Juken
- Publisher:
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- [Japan], [approximately 1660-1670]
- Extent:
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- 3 rolls : illustrations
- Format:
- Abstract:
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- Three scrolls produced in a workshop in Kyoto, ca. 1660-70. They were privately commissioned, probably by a local warlord of the Daimyo class. The calligrapher was probably Asakura Jūken. The models for the paintings were Japanese block-printed books. The accompanying text is by an unknown author. The narrative begins with the building of a bridge across the Sagami River and includes scenes from the Heike period featuring Yoshitsune, Yoritomo, Kajiwara, and the battle of Ichinotani.
- Description:
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- Ms. rolls.
- Decoration: 18 paintings on multiple sheets. Roll 1 contains pictures 1-5; roll 2 pictures 6-9; roll 3 pictures 10-18. Each roll is made up of multiple 3-foot sheets.
- Binding note:
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- Unbound. Housed in a contemporary laquered box.
- Subject:
- Edm rights:
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- No Known Copyright
- View in catalog:
- Curator's notes:
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Classical Japanese
Japan, 1660–1670, paperScrolls allow for large-scale illustrations, as shown here in this Japanese-sung libretto of a dance. As the Heike monogatari does elsewhere in this exhibition, this work depicts the war between the Taira and Minamoto clans, this time from the latter’s point of view. During a service for a newly built bridge over the Sagami River attended by Minamoto no Yoritomo, many dead spirits suddenly appear. In this image, Yoritomo’s brother Yoshitsune practices martial arts with a tengu creature in support of Yoritomo, who, however, would later kill him.
Gift of Robert Garrett, Class of 1897, 1942
Garrett Japanese Manuscripts, no. 1For further reading
Schwemmer, Patrick Reinhart. “Samurai, Jesuits, puppets, and bards: the end(s) of the kōwaka ballad. Volume One: Sagamigawa, transformations of a post-kōwaka ballad.” PhD diss., Princeton University, 2015.
- Exhibit category: